{"id":4099,"date":"2011-03-18T12:48:59","date_gmt":"2011-03-18T19:48:59","guid":{"rendered":"http:\/\/reviewermag.com\/press\/?p=4099"},"modified":"2011-03-21T08:50:19","modified_gmt":"2011-03-21T15:50:19","slug":"thierry-tillier__interview-by-anne-sophie","status":"publish","type":"post","link":"https:\/\/reviewermag.com\/press\/2011\/03\/18\/thierry-tillier__interview-by-anne-sophie\/","title":{"rendered":"THIERRY TILLIER Interview by Anne Sophie"},"content":{"rendered":"
\"\"<\/a>
Thierry Tillier ( le futur du passe, 2007 <\/figcaption><\/figure>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Thierry Tillier is a Belgian artist living in Charleroi.<\/p>\n

His technique is\u00a0mostly Collage\u00a0but also\u00a0photography, etc…<\/p>\n

His\u00a0works are visual short-circuits with\u00a0many meaning stratums ;<\/p>\n

aesthetic and poetical flashes torn, cut and layed out\u00a0into brocken puzzles.<\/p>\n

The themes explored in his work are numerous and the\u00a0understanding lies<\/p>\n

in-between\u00a0the choice, placement of\u00a0ripped\u00a0images\u00a0and nothingness.<\/p>\n

He answered a few questions on themes…<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

\"\"<\/a>
Thierry Tillier (((,,,2008<\/figcaption><\/figure>\n

\u00a0<\/p>\n

\u00a0\u00a0\u00a0<\/em><\/strong><\/strong><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Langage & Collage as langage<\/strong><\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0“I have nothing to say.\u00a0Only to show”.<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n

\u00a0Walter Benjamin<\/p>\n

“The Arcades Project” op. cit., p.476\u00a0<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\"\"<\/a>
Thierry Tillier ((( night,<\/figcaption><\/figure>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\n
Photography<\/strong>\u00a0<\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
“A garden\/labour on concepts like <far-away – close-by> ,<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<it’s here and there> , <\/em><\/div>\n
\u00a0<\/em><\/div>\n
<the fence [of the delight gardens]>”<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n

\u00a0<\/p>\n<\/div>\n

\u00a0<\/em><\/div>\n
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\u00a0<\/em><\/div>\n
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\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\n
\"\"<\/a>
Thierry Tillier (((detail,,, (((2004 ,,,<\/figcaption><\/figure>\n<\/div>\n
\u00a0<\/strong><\/div>\n
\u00a0<\/strong><\/div>\n
\u00a0<\/strong><\/div>\n
\u00a0<\/strong><\/div>\n
History of Art and Religion as sources of inpiration<\/strong><\/div>\n
\n
\u00a0<\/strong><\/div>\n
\u00a0<\/strong><\/div>\n
“It is more a work on heresies <\/em><\/div>\n
(Bogomils, brothers and sisters of the Free Spirit,<\/em><\/div>\n
\u00a0Gnostics sects, loists, etc,,,), <\/em><\/div>\n
collective mesianism than on Religion ; <\/em><\/div>\n
and History of art because it doesn’t exist,<\/em><\/div>\n
\u00a0even if this isn’t true.”<\/em><\/div>\n

\u00a0<\/p>\n

\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n
\u00a0<\/em><\/div>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\"\"<\/a>
Thierry Tillier ((( Zebra ,,, detail ,,, 2003<\/figcaption><\/figure>\n

\u00a0<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0<\/strong>Attitude<\/strong><\/p>\n

\u00a0<\/p>\n

\u00a0Je serai fou de rien ,<\/em><\/p>\n

Vampire de mon double !<\/em><\/p>\n

\u00a0<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/em><\/p>\n

\u00a0<\/strong><\/em><\/p>\n

\u00a0<\/strong><\/em><\/p>\n

\u00a0<\/strong><\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/em><\/p>\n

\"\"<\/a>
Thierry Tillier (((, 2004<\/figcaption><\/figure>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/p>\n

\u00a0<\/strong><\/p>\n

Memory and memories<\/strong><\/p>\n

\u00a0\u00a0<\/em><\/p>\n

“Future is an unreleased past”<\/em><\/p>\n

“Ancient things are watching us. We are expected by them.”<\/em><\/p>\n

Walter Benjamin<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/strong><\/em><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\u00a0<\/strong><\/em><\/p>\n

\"\"<\/a>
Thierry Tillier ( critique des armes flottantes<\/figcaption><\/figure>\n

\u00a0<\/em>\u00a0<\/p>\n

\u00a0<\/em><\/p>\n

[[[[[[[[[[[[[[[[[[[[[[[[[[[INTERNET]]]]]]]]]]]]]<\/strong><\/em><\/em><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

“That is our worst d<\/em>esease to speak and not to see”.<\/em><\/p>\n

Rene Daumal.<\/em><\/p>\n

in,\u00a0 <\/em>Black Poesie\u00a0, White Poesie<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/span><\/em><\/strong><\/span><\/p>\n

\u00a0<\/span><\/em><\/strong><\/span><\/p>\n

777- UPcoming – <\/span><\/em><\/strong><\/span>An eXhibition<\/span><\/em><\/strong><\/span><\/p>\n

\u00a0<\/span><\/em><\/strong><\/span><\/p>\n

\u00a0<\/span><\/em><\/strong><\/span><\/p>\n

\"\"<\/strong><\/a><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

THIERRY TILLIER \/ L\u2019amplique et le ciselant \u2013 featuring MALDO NOLLIMERG \/ Landscapes<\/strong>
\n<\/span>March 27 \u2013 June 5, 2011
\nExit11<\/span><\/a>, Belgium<\/p>\n

www.exit11.be<\/a><\/p>\n

\u00a0<\/p>\n

\n
\"\"<\/a>
Thierry Tillier _______________(critique des armes flottantes<\/figcaption><\/figure>\n<\/div>\n

\u00a0<\/p>\n

More of\u00a0 Thierry Tillier’s work on his website and especially on Flickr<\/p>\n

\u00a0<\/p>\n

www.thierrytillier.com<\/a><\/p>\n

www.flickr.com\/thierrytillier<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 Thierry Tillier is a Belgian artist living in Charleroi. His technique is\u00a0mostly Collage\u00a0but also\u00a0photography, etc… His\u00a0works are visual short-circuits with\u00a0many meaning stratums ; aesthetic and poetical flashes torn, cut and layed out\u00a0into brocken puzzles. The themes explored in his work are numerous and the\u00a0understanding lies in-between\u00a0the choice, placement of\u00a0ripped\u00a0images\u00a0and nothingness. He answered a few questions on themes… \u00a0 […]<\/p>\n","protected":false},"author":132,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-4099","post","type-post","status-publish","format-standard","hentry","category-art"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5490,"url":"https:\/\/reviewermag.com\/press\/2011\/11\/13\/little-shiva\/","url_meta":{"origin":4099,"position":0},"title":"LITTLE SHIVA","author":"annesophie","date":"November 13, 2011","format":false,"excerpt":"[Artist Profile] Little Shiva interview\"The Visible Trash Society\"Tweet By Anne Sophie Who are you? I'm Little Shiva. I do image and design, instigate trash-awareness events with The Visible Trash Society,\u00a0\u00a0and publish Fingerpainting on Mars.\u00a0\u00a0I grew up traveling since my dad was in the US Navy: I was born in 1964\u2026","rel":"","context":"In "art"","block_context":{"text":"art","link":"https:\/\/reviewermag.com\/press\/category\/art\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2011\/11\/4145008794_01bb5fc71a_z-300x232.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15620,"url":"https:\/\/reviewermag.com\/press\/2018\/11\/10\/15620\/","url_meta":{"origin":4099,"position":1},"title":"Book for sale: SUCKDOG — A RUCKUS, by Lisa Carver, signed","author":"Reviewer Rob","date":"November 10, 2018","format":false,"excerpt":"[Bookcabal] punk rock history \u00a0 Book for sale: Lisa Cerver's SUCKDOG -- A RUCKUS, signed and in like new condition, $15.99 plus postage and handling Brand new, shiny, unread and signed copies of SUCKDOG -- A RUCKUS by Lisa Carber are for sale here. Email me, robertrowsey@gmail.com, or send $15.99\u2026","rel":"","context":"In "book cabal"","block_context":{"text":"book cabal","link":"https:\/\/reviewermag.com\/press\/category\/book-cabal\/"},"img":{"alt_text":"","src":"https:\/\/www.paypalobjects.com\/en_US\/i\/scr\/pixel.gif","width":350,"height":200},"classes":[]},{"id":12696,"url":"https:\/\/reviewermag.com\/press\/2015\/11\/21\/california-institute-of-abnormalarts\/","url_meta":{"origin":4099,"position":2},"title":"California Institute of Abnormalarts","author":"Reviewer Rob","date":"November 21, 2015","format":false,"excerpt":"The California Institute of Abnormalarts in Burbank by Reviewer Rob Here's some pics from Friday the thirteenth at California Institute of Abnormalarts in Burbank, from the first visit I had there. Radio Relay League and True Violet were the bands this night. I had been meaning to get in those\u2026","rel":"","context":"In "archive"","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"One of the many surreal attractions at the California Institute of Abnormalarts: according to Carl Crew I think he said it's a mummy embalmed with murcury from the Chinatown district of San Francisco. ~caption and photo by Reviewer Rob.","src":"https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2015\/11\/web-murcury-mummy.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2015\/11\/web-murcury-mummy.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2015\/11\/web-murcury-mummy.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2015\/11\/web-murcury-mummy.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2015\/11\/web-murcury-mummy.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2015\/11\/web-murcury-mummy.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":18005,"url":"https:\/\/reviewermag.com\/press\/2020\/10\/16\/summer-moon-july-2018-crescent-city-harbor-200mm-f2-8\/","url_meta":{"origin":4099,"position":3},"title":"Summer moon July 2018, Crescent City harbor, 200mm f2.8","author":"Reviewer Rob","date":"October 16, 2020","format":false,"excerpt":"Summer moon July 2018, Crescent City harbor, 200mm f2.8","rel":"","context":"In "art photography"","block_context":{"text":"art photography","link":"https:\/\/reviewermag.com\/press\/category\/art-photography\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8319,"url":"https:\/\/reviewermag.com\/press\/2013\/03\/30\/people-from-the-past\/","url_meta":{"origin":4099,"position":4},"title":"People From The Past","author":"Reviewer Rob","date":"March 30, 2013","format":false,"excerpt":"[Commentary]Maria MuseTweetRemembering The Other She That She Used To BeAn Informal Facebook Interview Maria's Facebook photo caption, 3-28-13: \"My old passport picture. They were going to make me keep this because I had too many retakes. I told them that I would never get out of Amsterdam like this. :)\"\u2026","rel":"","context":"In "archive"","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":12377,"url":"https:\/\/reviewermag.com\/press\/2015\/10\/05\/3-book-reviews\/","url_meta":{"origin":4099,"position":5},"title":"three new book reviews","author":"Reviewer Rob","date":"October 5, 2015","format":false,"excerpt":"[Books and other printed matter]Actually two graphic book reviews from one artist\/author, a novel from a San Diego writer, and a self-published book of short stories from Australia, but also a high-priced quarterly mainstream periodical and a xeroxed folded handout from VegasNot Really Just Three Book Reviews by Reviewer Rob\u2026","rel":"","context":"In "books"","block_context":{"text":"books","link":"https:\/\/reviewermag.com\/press\/category\/books\/"},"img":{"alt_text":"Cover of Cochlea & Eustachia by Hans Rickheit.","src":"https:\/\/i0.wp.com\/reviewermag.com\/press\/wp-content\/uploads\/2015\/09\/Cochlea-Eustachia-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/posts\/4099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/users\/132"}],"replies":[{"embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/comments?post=4099"}],"version-history":[{"count":59,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/posts\/4099\/revisions"}],"predecessor-version":[{"id":4182,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/posts\/4099\/revisions\/4182"}],"wp:attachment":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/media?parent=4099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/categories?post=4099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/tags?post=4099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}