{"id":265,"date":"2007-03-18T22:27:00","date_gmt":"2007-03-18T22:27:00","guid":{"rendered":"http:\/\/docwiggly.wordpress.com\/2007\/03\/18\/music-reviews-the-cinematics\/"},"modified":"2007-03-18T22:27:00","modified_gmt":"2007-03-18T22:27:00","slug":"music-reviews-the-cinematics","status":"publish","type":"post","link":"https:\/\/reviewermag.com\/press\/2007\/03\/18\/music-reviews-the-cinematics\/","title":{"rendered":"music reviews &#8211; The Cinematics"},"content":{"rendered":"<p>Music reviews, by Natalie Kardos<\/p>\n<p>The Cinematics \u2013 A Strange Education<\/p>\n<p>With their full-length debut album A Strange Education, The Cinematics throw their hat into the dance-rock ring.  Their highly polished variation on this now-familiar theme includes glitzy guitar licks, glimmery chords, and cymbal-centric drumming.  Many of the songs, including \u201cBreak,\u201d give the listener the feeling of driving on darkened freeways at breakneck speeds, headlights flashing past you, as you search for a place not populated with your problems.<\/p>\n<p>This Scottish band makes no attempt to hide their influences \u2013 \u201cRace to the City\u201d sounds like the Clash with a little bit of Bowie mixed in, and \u201cSunday Sun,\u201d with it\u2019s spacey background vocals, harkens back to the days when Blur was the king of Brit-rock.  The last three tracks of the album (\u201cAlright,\u201d \u201cAsleep at the Wheel,\u201d and \u201cHome\u201d) find Scott Rinning (lead vocals) letting us in to his more vulnerable side, as he adds a quaver to his voice and makes fine use of his falsetto.<\/p>\n<p>In fact, \u201cHome,\u201d the hidden bonus track, is one of the gems of the album.  As a completely acoustic track, it sinks in with sharp contrast to the rest of the album \u2013 giving hope that, even if the dance rock phase peters out (as all phases tend to do), The Cinematics will stick around for a good long time.  [http:\/\/www.thecinematics.com] \u2013 NK<\/p>\n<p>Sharp Tooth Benny \u2013 Slinky Sounds for Reptilian Lovers<\/p>\n<p>To put it the best way possible, it sounds like this CD was recorded in a garage, with all band members standing around a single microphone.  The result is an incredible distorted mix, in which the vocals sound like they were sung through a tin can 50 yards away from said microphone.  The sound quality is poor and the mixing is bad.  And that\u2019s only the production issues.<\/p>\n<p>Musically speaking, this band is adequate.  The guitar soloist knows what he\u2019s doing at least half of the time, even if one does get the feeling that everything he learned about playing guitar came from hours spent playing the Guitar Hero video games.  Their sound can best be described as metal-tinged rockabilly (although the metal may just be an artifact of the terrible production).  The vocalist sounds like he\u2019s fighting for a lower range (think Johnny Cash baritone) that he just doesn\u2019t possess.  And while he\u2019s aiming for those low notes, he manages to miss the mark significantly.<\/p>\n<p>Then there\u2019s the song \u201c(Truth\/Lies) Hate\/Love.\u201d  Or should I say the song \u201cCryin\u2019\u201d by Aerosmith with worse lyrics.  It\u2019s pretty much a note-for-note rip-off, even down to the guitar solos, and the second vocalist who actually sounds like Stephen Tyler (and who I actually wish was the lead vocalist on the other songs).  C\u2019mon guys \u2013 if you\u2019re going to rip-off a song note-for-note, at least pick a better one!<\/p>\n<p>About all I can say about this band is that I sincerely hope their sound is better live.  And if you\u2019re looking for a local band to satiate your rockabilly fix, check out The Infants instead.  At least their vocalist knows how to really belt \u2018em out.  [http:\/\/www.myspace.com\/sharptoothbennyband] &#8211; NK<\/p>\n<p>Present Tense \u2013 Automatic Happy<\/p>\n<p>The third release from the LA band Present Tense took a few listens to grow on me.  The fault lies mostly on me, as trip-hop isn\u2019t my usual cup of tea.  However, this band churns out an album of well-produced trip-hop, with the occasional dashes of rock and pop thrown in for good measure.  Fans of The Gossip\u2019s last album should appreciate this band\u2019s sound.<\/p>\n<p>Amanda Rowse\u2019s lead vocals are solid and sultry, although she gets into trouble in a few spots when she reaches for notes above her normal range and the results come out sounding strained.  Overall, though, the mix of spacey electronic distortion surrounding her female vocals and emphasized by the funky trip-hop beats creates an atmosphere both melancholic and danceable.  Key tracks include \u201cDangerous Places,\u201d \u201c5 yrs. Ago,\u201d and \u201cLet Me Be.\u201d [http:\/\/www.myspace.com\/presenttense] &#8211; NK<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music reviews, by Natalie Kardos The Cinematics \u2013 A Strange Education With their full-length debut album A Strange Education, The Cinematics throw their hat into the dance-rock ring. Their highly polished variation on this now-familiar theme includes glitzy guitar licks, glimmery chords, and cymbal-centric drumming. Many of the songs, including \u201cBreak,\u201d give the listener the feeling of driving on darkened [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[301],"class_list":["post-265","post","type-post","status-publish","format-standard","hentry","category-archive","tag-music-reviews-the-cinematics"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":233,"url":"https:\/\/reviewermag.com\/press\/2007\/01\/30\/music-reviews-by-kristina-clayton\/","url_meta":{"origin":265,"position":0},"title":"Music Reviews by Kristina Clayton","author":"admin","date":"January 30, 2007","format":false,"excerpt":"MUSIC REVIEWS by Kristina Clayton Dirty Kings Electric Dirt Nice guitar riffs, smack-ass bass and rump-rockin rhythm coming from this trio of musicians. Electric Dirt is one of the better underground rock albums even though I think the singer is a bit tone def. That would not matter at a\u2026","rel":"","context":"In &quot;archive&quot;","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":546,"url":"https:\/\/reviewermag.com\/press\/2008\/11\/14\/new-music-reviews-by-kim-acrylic\/","url_meta":{"origin":265,"position":1},"title":"New Music Reviews by Kim Acrylic","author":"admin","date":"November 14, 2008","format":false,"excerpt":"New Music ReviewsCDs reviewed by Kim Acrylic::: Heavy Water Experiments [Self Titled] Indie,psychedelic and shoegaze all wrapped in this beautiful CD. each track gets better and better till it's filled with noise orgasms. The first track \"Goldenthroat\" is pure,original and catchy,then the next track Mirror The Sky\" becomes so intense\u2026","rel":"","context":"In &quot;archive&quot;","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":517,"url":"https:\/\/reviewermag.com\/press\/2008\/09\/01\/new-music-reviews-the-moviegoers-or-the-gun\/","url_meta":{"origin":265,"position":2},"title":"New Music Reviews &#8211; The Moviegoers, Or The Gun","author":"admin","date":"September 1, 2008","format":false,"excerpt":"New Music Reviewsby Hailey Van Meter::: The Moviegoers Or the Gun The Moviegoers second EP, Or the Gun opens with an mesmerizing guitar intro that undoubtedly leaves you wanting to explore the rest of the album just to see what this band will entrance you with next. The Moviegoers successfully\u2026","rel":"","context":"In &quot;archive&quot;","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":487,"url":"https:\/\/reviewermag.com\/press\/2008\/06\/21\/new-music-cd-reviews-by-matthew-powers-6-08\/","url_meta":{"origin":265,"position":3},"title":"New Music CD reviews By Matthew Powers 6-08","author":"admin","date":"June 21, 2008","format":false,"excerpt":"New Music CD reviewsBy Matthew Powers ::: Bayadera Rotation of the Earth An unironic cover of the most overtly commercial song pop song in history (Wham!\u2019s \u201cCareless Whisper\u201d) says it all: Bayadera want to make it, and make it big. Their template has potential. Gina Bandy\u2019s vocals are smooth as\u2026","rel":"","context":"In &quot;archive&quot;","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":447,"url":"https:\/\/reviewermag.com\/press\/2008\/02\/17\/new-music-reviews-by-michael-caldwell\/","url_meta":{"origin":265,"position":4},"title":"New Music Reviews, by Michael Caldwell","author":"admin","date":"February 17, 2008","format":false,"excerpt":"New Music Reviewsby Michael Caldwell Witchcraft The Alchemist (Candlelight) With their third album, Swedish heavy rockers Witchcraft earn points for sounding like an authentic and obscure group from the late 60\u2019s and early 70\u2019s, i.e. Pentagram, Wishbone Ash, and Atomic Rooster. But they lose points for sounding like an obscure\u2026","rel":"","context":"In &quot;archive&quot;","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":535,"url":"https:\/\/reviewermag.com\/press\/2008\/11\/01\/new-music-reviews-by-ashley-macquarry\/","url_meta":{"origin":265,"position":5},"title":"New Music Reviews by Ashley MacQuarry","author":"admin","date":"November 1, 2008","format":false,"excerpt":"http:\/\/www.reviewermagazine.com\/music-reviews-11-1-08.html[New Music]CD Reviewsby Ashley MacQuarryConnor Desai Connor Desai's self-titled 6-track EP is an impressive debut. Seattle's Desai makes dreamily soulful jazz\/pop, reminiscent of Norah Jones or Feist. Her voice is sultry, her lyrics alluring and poetic, backed by playful percussion and subtly funky bass grooves (courtesy of bassist Alex Trzyna\u2026","rel":"","context":"In &quot;archive&quot;","block_context":{"text":"archive","link":"https:\/\/reviewermag.com\/press\/category\/archive\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/posts\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/comments?post=265"}],"version-history":[{"count":0,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/posts\/265\/revisions"}],"wp:attachment":[{"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/media?parent=265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/categories?post=265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reviewermag.com\/press\/wp-json\/wp\/v2\/tags?post=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}